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Deathly Hallows PArt 1 script?
I was looking at tumblr and people had script excerpts of DH Part 1.
Then I found a link to this
http://www.mypdfscripts.com/screenplays/harry-potter-and-the-deathly-hallows-part-1
I don't know if it is real, but it seems like the full part 1 script. Haven't read the whole thing just started. What do you think?
Then I found a link to this
http://www.mypdfscripts.com/screenplays/harry-potter-and-the-deathly-hallows-part-1
I don't know if it is real, but it seems like the full part 1 script. Haven't read the whole thing just started. What do you think?
Comments
LUCIUS
My lord?
NARCISSA MALFOY
My lord is always welcome here.
HARRY
Who did this to him?
LUPIN
Snape.
(nodding to George)
He’ll be fine, Molly. But that’s
Dark Magic. The damage is done.
You didn’t just lose a mother that
night in Godric’s Hollow, you
know. I lost a sister
So many changes...
"Piss off! Arthur Weasley’s ten
times the wizard you are!"
And
"You smell like vanilla, Penelope.
I think you’re going to be my favorite."
Seems they toned it down to maintain it's family movie status. Glad they didn't end it there, though.
But I don't understand why they cut pieces such as this:
HERMIONE
It scares me a bit, that, thinking
it’s a piece of Vol--
RON
No, don’t! Don’t say it!
Harry and Hermione turn, see Ron stirring.
RON
It’s taboo -- You-Know-Who’s name.
That’s how they track people now.
It’s how they found us in the cafe
that night.
I hope the Dursley's are in the extended edition:
AUNT PETUNIA
I’ve lived in this house twenty
years. And now -- in a single
night -- I’m expected to leave.
HARRY
They’ll torture you. Even Dudley.
If they think you know where I’m
going, they’ll stop at noth--
AUNT PETUNIA
You think I don’t know that? You
think I don’t know what they’re
capable of?
Her eyes pierce Harry’s.
AUNT PETUNIA
You didn’t just lose a mother that
night in Godric’s Hollow, you
know. I lost a sister.
Harry studies her, taken aback.
HARRY
Do you have any? Magic?
AUNT PETUNIA
What a cruel thing to ask.
I like how it sets up the Prince's Tale, it's a nice scene.
INT. SIRIUS’ ROOM - CONTINUOUS ACTION 52
We watch Harry enter from an UNSETTLINGLY LOW POV
(Kreacher’s). This room, like the others, has been
ransacked. Harry lingers by a PHOTOGRAPH. In it, FOUR
YOUNG HOGWARTS STUDENTS -- JAMES POTTER, SIRIUS BLACK,
PETER PETTIGREW and Lupin -- stand GRINNING before the
WHOMPING WILLOW. Harry traces the thin cone of light of
his wand across their faces.
Books and papers carpet the floor. A WOMAN’S FACE,
striking and wise, peers out from a dust jacket. Harry
crouches, turns the book over to read its TITLE: A
History of Magic by Bathilda Bagshot. Harry turns it
BACK over, studies the woman's face again. He begins to
rise when he notices a CRUMPLED PIECE OF PAPER embossed
at the top with a name: Lily Potter. As Harry begins to
read, we hear HER VOICE:
LETTER (LILY) (V.O.)
Dear Sirius. Thank you for
Harry’s birthday present. You’d
think he’d been born on a broom.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 44.
(MORE)
(CONTINUED)
James says he’s got the look of a
Seeker, but then James would. We
had a very quiet birthday tea,
just us and old Bathilda, who
dotes on Harry. Wormy dropped by
late in the day, but seemed down
and didn’t stay long. James is
frustrated being shut up here, but
Dumbledore’s still got his
Invisibility Cloak, so he doesn’t
have much choice. By the way,
Bathilda tells the most amazing
stories about our old Headmaster.
I don’t know how much to believe.
Can it really be true that
Dumbledore --
Harry turns the letter over, but there is no more.
and scene with 2 Deatheaters in front of Grimmauld´s Place (we saw that in the 1st sneak peak):
INT. FIRST FLOOR - MORNING (SECONDS LATER) 54
Ron peers out a curtain as Hermione and Harry join him.
In the courtyard outside, TWO DARK figures stand near a
tree. ANOTHER sits on a bench.
RON
The two clinging to the tree are
Death Eaters for sure. Dunno
‘bout the bloke on the bench.
(dropping the
curtain)
Can’t see us, of course. But
we’ll have to be careful coming
and going. C’mon. There’s
something else you need to see.
Nearby, Tonks, hand to her belly, leans forward and
WHISPERS something to Mrs. Weasley, who reacts with happy
surprise. Harry studies Tonks’ belly...
LUPIN (O.S.)
We want you to be the godfather.
Harry turns, sees Lupin standing behind, staring at Tonks
with affection. As his eyes shift to Harry, Harry
sputters:
HARRY
You mean -- But that’s brilliant --
I... don’t know what to say.
LUPIN
Say yes.
Lupin grins, claps Harry on the shoulder and hikes off
into the darkness, joining the WIZARDS STANDING GUARD in
the garden’s deepest shadows. Harry looks back to Tonks,
then notices a slight, TUFTY-HAIRED WIZARD (ELPHIAS DOGE)
sitting alone at a table just beyond her.
HARRY
Sir, I was wondering if you’d had
much contact with him before he
died.
ELPHIAS DOGE
The occasional owl. Though it was
strange...
HARRY
Strange, sir?
ELPHIAS DOGE
It was the owls themselves. They
often arrived in distress. It was
clear they’d traveled great
distances in some cases.
HARRY
Could you tell me from where
they’d come, sir?
ELPHIAS DOGE
I’m afraid not. Albus’ messages
mostly referenced our days
together as schoolboys. They were
surprisingly intimate. When he
did speak of his current
activities his words would turn
elliptical. Still, I sensed he
was under great stress. Why do
you ask?
HARRY
Just curious. I was... close to
Professor Dumbledore.
ELPHIAS DOGE
Well, he treasured you, Mr.
Potter, I can attest to that. I
can also tell you that when a
person passes, it’s only natural
to rue the things left unsaid, to
regret the question never asked.
I knew Albus nigh on 100 years,
but in many ways he will always
remain a riddle even to me.
INT. GRANGER HOUSE - PARLOR - DUSK 61
Dark wizards smash through the front door, enter the
parlor. The photographs still sit upon the mantle,
showing only Hermione’s parents, the tea they’d been
drinking still sitting on the table, dried up, but
unwashed...
Arthur and Wakinda exit. As they go, Ron cranes his
neck, watching with a look of longing as the grilles
begin to close. Suddenly, Harry reaches out, blocks the
doors.
ALBERT RUNCORN/HARRY
Arthur! You know you’re being
tracked, don’t you?
Arthur turns.
ARTHUR WEASLEY
Is that a threat, Runcorn?
ALBERT RUNCORN/HARRY
No, Arthur. It’s a fact. They’re
watching you.
Arthur eyes Harry with a mixture of suspicion and
confusion and perhaps... recognition. Harry removes his
hand. The grilles close. Ron stares at him.
ALBERT RUNCORN/HARRY
I’ll tell you later. Let’s find
Hermione.
Famous rabbit scene
BAM! Dirt explodes near the rabbit’s rump and it is off
and running. Seconds later, Harry appears, giving chase.
Ron curses and pelts after.
The rabbit zig-zags through the trees, eluding one blast
after another as Harry and Ron trip through the forest.
They begin laughing, their aim becoming more and more
erratic. A tree limb explodes over Harry’s head and he
wheels, fires playfully back at Ron. They exchange a few
more blasts when one narrowly misses Harry.
Instinctively, eyes flaring, he wheels, fires back at
Ron, narrowly missing him.
They both stop, stare at one another, chests heaving,
their breath drifting in plumes, smiles gone. Ron rubs
his injured arm, almost healed now, and turns away.
HERMIONE
Wizard rule over Muggles.
HARRY
And Dumbledore believed in it?
HERMIONE
Yes.
Harry nods, looking at the photograph again.
HARRY
‘For the Greater Good.’ What does
that mean?
HERMIONE
It was something Dumbledore came
up with. He believed wizards were
superior and should rule over
Muggles, but gently, for their own
good. Grindelwald took a more
violent position.
Harry shakes his head, staring at the book.
HERMIONE
It was a different time, Harry.
It was one summer. Dumbledore was
young --
HARRY
We’re young, Hermione. And here
we are, risking our lives to fight
against the very thing Dumbledore
supported.
So it looks we are not getting the explanation about Dumbledore and Grindelwald in DH2
:-S
Harry turns the letter over, but there is no more.
HERMIONE (O.S.)
Harry! Harry!
53 INT. SECOND FLOOR LANDING - MORNING 53
Harry steps out, finds Hermione dashing up the stairs.
Seeing him, she exhales in relief. CALLS OUT:
HERMIONE
Ron! I’ve found him!
RON (O.S.)
Good! Tell him from me he’s a
git!
HERMIONE
Harry, you can’t just disappear.
We thought --
She stops as Harry hands her the letter. She reads.
HERMIONE
It’s from your Mum. To Sirius.
Bathilda Bagshot...?
HARRY
Yeah. They knew her. She wrote A
History of Magic, you know.
HERMIONE
(with irony)
Did she now?
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 45.
52 CONTINUED: 52
LETTER (LILY) (V.O.) (CONT'D)
(CONTINUED)
HARRY
I’m thinking maybe we should go
talk to her. She still lives in
Godric’s Hollow. I’m thinking
maybe she could help us.
Hermione looks up, regards Harry closely.
HERMIONE
Harry. I can imagine why you’d
want to go there, but... I don’t
think Bathilda Bagshot is going to
know where Voldemort hid his
Horcruxes.
Harry starts to respond, frowns. Hermione reaches out,
touches his face lightly.
RON (O.S.)
Hey! I think you two better come
down here.
Listen, I panicked that night, all
right? I never volunteered to die
for you, mate. Can I help it if
Mad-Eye fell off his broom --
HERMIONE
Stop lying!
Hermione begins to move toward Mundungus. Ron reaches
out, takes her by the shoulders, eyes Mundungus
warningly.
RON
Piece of advice. Let’s not rehash
old times. Got it... mate?
INT. GRANGER HOUSE - PARLOR - DUSK
Dark wizards smash through the front door, enter the
parlor. The photographs still sit upon the mantle,
showing only Hermione’s parents, the tea they’d been
drinking still sitting on the table, dried up, but
unwashed...
this is part of the montage after the Hogwarts express scene. good thing they changed Neville's line. Neville's line in the film is better
RON
Right. So let’s do it. Who gets *
who? *
HERMIONE *
Well, unless one of you fancies *
wearing a skirt...
Here they are finding out who they've been polyjuiced into.
The trio -- in their new identifies -- emerge. Ron (in
the quise of REG CATTERMOLE) takes out an ID CARD.
REG CATTERMOLE/RON
In case you’re interested, I’m Reg
Cattermole, Magical Maintenance
Department.
MAFALDA HOPKIRK/HERMIONE
Mafalda Hopkirk, assistant in the
Improper Use of Magic Office.
ALBERT RUNCORN/HARRY
(patting his pockets)
I’m nobody.
MAFALDA HOPKIRK/HERMIONE
You’re somebody. Be careful.
Just then a SKINNY WIZARD strides by.
SKINNY WIZARD
Morning, Reg! Good luck today.
REG CATTERMOLE/RON
Oh... yeah. Thanks.
Ron glances to Harry and Hermione, jerks his head toward
the skinny wizard and they follow.
Weasley!
Harry stops dead, peers around a corner and sees a
slight, familiar-looking RED-HEADED WIZARD: PERCY
WEASLEY.
YOUNG WIZARD
They’re waiting for your report
downstairs.
PERCY WEASLEY
Oh, yes... of course.
Harry watches Percy hurry off.
The grilles open again and reveal... Arthur Weasley, in
the company of an elderly witch (WAKINDA).
ARTHUR WEASLEY
I understand, Wakinda, but I can’t
be a party to that.
Arthur stops then, seeing Harry, and regards him with
utter disdain, then turns his eyes to Ron and softens.
ARTHUR WEASLEY
Hello, Reg. Isn’t Mary in for
questioning today? Try to have
faith. If there’s anything Molly
and I can do for you --
Arthur pats Ron’s shoulder, stops. Pulls his dripping
hand away.
WAKINDA
Let me guess. It’s raining in
Yaxley’s office again?
ARTHUR WEASLEY
Tell him to try an umbrella.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 62.
(CONTINUED)
Arthur and Wakinda exit. As they go, Ron cranes his
neck, watching with a look of longing as the grilles
begin to close. Suddenly, Harry reaches out, blocks the
doors.
ALBERT RUNCORN/HARRY
Arthur! You know you’re being
tracked, don’t you?
Arthur turns.
ARTHUR WEASLEY
Is that a threat, Runcorn?
ALBERT RUNCORN/HARRY
No, Arthur. It’s a fact. They’re
watching you.
Arthur eyes Harry with a mixture of suspicion and
confusion and perhaps... recognition. Harry removes his
hand. The grilles close. Ron stares at him.
ALBERT RUNCORN/HARRY
I’ll tell you later. Let’s find
Hermione.
Slowly, she smiles. Despite the swelling, one intriguing
feature can be seen. A SCAR. In the shape of a
LIGHTNING BOLT? We HOLD, then...
CUT TO BLACK.
THE END
if they were going to split it there
i think its a good place (although i prefer the actual split they used)
He gives her a peck, races off. He’s halfway to the
fireplaces when he spies... Percy. He slows, then stops
altogether, and they stare, wordless, at one another.
Finally, Percy begins to open his mouth --
RON
Piss off.
After Ron is splinced. Would love to see this scene
INT. TENT - SAME TIME - NIGHT 89
Hermione pours tea from a kettle into cups.
HERMIONE
How’re the mushrooms? Seem to be
the only edible things growing
round here.
Harry grimaces as he chews. “Edible” is clearly
debatable.
HARRY
They’re great.
HERMIONE
Make sure to leave some for Ron.
HARRY
(under his breath)
No problem.
Harry sets his plate aside, plucks up the locket, dangles
it in the firelight. Glances at Ron.
HARRY
How bad is he?
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 69.
87 CONTINUED: (2) 87
(CONTINUED)
HERMIONE
He’ll be alright in a few days.
Hopefully. If we could take him
to Hogwarts, to Madam Pomfrey --
Harry’s glance stops her, confirming what she knows.
HERMIONE
So where do we go next?
HARRY
Dumbledore had a theory. He felt
that the Horcruxes would not be
made out of random objects. And
he felt they wouldn’t be hidden
randomly either. We know of three
so far. The ring, which according
to Dumbledore belonged to Tom
Riddle’s grandfather. The diary,
which belonged to Tom himself. And
this, which -- again, according to
Dumbledore -- belonged to his
mother.
Hermione eyes the locket as it glimmers in the firelight.
HERMIONE
It scares me a bit, that, thinking
it’s a piece of Vol--
RON
No, don’t! Don’t say it!
Harry and Hermione turn, see Ron stirring.
RON
It’s taboo -- You-Know-Who’s name.
That’s how they track people now.
It’s how they found us in the cafe
that night.
HARRY
How d’you know?
RON
I overheard a bloke from the
Enforcement office talking about
it at the Ministry. Blimey,
what’s that smell?
HERMIONE
(no longer confident)
Dinner?
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 70.
89 CONTINUED: 89
(CONTINUED)
RON
Not bloody likely. Smells like
something Ginny would cook.
HERMIONE
Tea?
Ron nods. Grimacing, he pushes himself up, notices he’s
wearing a SLING of Hermione’s fashioning. He looks from
it to her as she tends the tea, a flicker of remorse
playing over his face for his “dinner” remarks.
RON
Is that it?
Harry nods, hands him the locket. Ron turns it over in
his hand. Frowns. Looks at Harry, who nods.
HARRY
I know. I felt it too.
(off Hermione’s look)
It’s... it’s like it’s ticking or
something, like it has a tiny
metal heart, like it’s --
RON
... alive.
Harry nods. Hermione eyes it coldly.
HERMIONE
I hate it. It’s like he’s here
with us.
HARRY
That’s why we’re going to kill it.
An epic flyover. Three small figures move slowly below.
One figure -- Ron -- trails the other two: Harry and
Hermione. We CUT DOWN TO ground level. TO Ron. He
glances about sullenly, staring at the forsaken
landscape, then looks up ahead to Harry and Hermione.
The sight of them, walking side-by-side, does nothing to
improve his mood.
RON
I’m hungry.
Harry and Hermione stop, turn. Study him for a moment.
HARRY
What?
RON
I’m hungry.
Hermione glances at Harry, who continues to stare at Ron,
as if taking the measure of him.
HARRY
We’re all hungry.
Ron returns Harry’s glance, then looks off again.
Hermione crosses to Ron, examines his RAGGED BANDAGE.
RON
Leave it.
Hermione glances at Ron’s profile, then -- briefly -- at
the Horcrux dangling from his neck. Ignoring his words,
she begins to rummage in her beaded bag.
RON
Mum can make food appear out of
thin air.
HERMIONE
(tenderly)
No one can conjure food out of
thin air. Food is the first of
the five Principal Exceptions to
Gamp’s Law. The other four are --
RON
(sharply)
Oh, speak English, can’t you?
As Ron jerks his injured arm away, Hermione looks up,
meets Ron’s hard gaze.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 78A.
(CONTINUED)
RON
I said leave it.
Hermione glances at the bandage in her hand, puts it
away.
HARRY
It’ll be dark soon. We need to
find a place to sleep.
HERMIONE
Good plan.
RON
Yeah. Brilliant. Only, correct
me if I’m wrong... wasn’t that
yesterday’s plan? And the day
before that? And the day before
that? Walk. Sleep. Walk.
Sleep.
Harry stares at Ron, then begins to walk toward him.
Hermione watches silently. Ron stands utterly still.
When Harry stops, he simply nods to Ron’s neck.
HARRY
My turn.
As he reaches out, Ron blocks his hand. For a moment,
they simply stand silently. Then Ron strips the chain
from his neck, hands it to Harry and brushes past him.
Harry glances at Hermione, drapes the Horcrux over his
head and follows. Hermione watches them go, then does
the same.
Take it off, Ron. Please take it
off. You wouldn’t be talking like
this if you hadn’t been wearing it
all day --
HARRY
Yeah, he would. D’you think I
haven’t noticed the two of you
whispering behind my back? D’you
think I haven’t guessed what you
were thinking?
HERMIONE
Harry, we weren’t --
RON
Don’t lie! You said it, too, you
said you were disappointed --
HERMIONE
I didn’t! Not like that! Harry --
I didn’t!
Mysterious thing time.
INT. TENT (FOREST OF DEAN) - EARLY MORNING 138
DARKNESS. For a moment, we hear nothing. Then,
Hermione’s voice SOFTLY WHISPERS:
HERMIONE (O.S.)
Harry... Harry, can you hear
me...?
HARRY (O.S.)
Yes.
HERMIONE (O.S.)
Good. That’s good...
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 96.
136 CONTINUED: 136
(CONTINUED)
HARRY (O.S.)
We got away.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 96A.
138 CONTINUED: 138
(CONTINUED)
HERMIONE (O.S.)
Yes.
HARRY (O.S.)
Are you alright?
HERMIONE (O.S.)
I’m fine. But you’ve been sick.
Rest... Rest a bit more...
All stays DARK...
HERMIONE
You wanted to know who the boy in
the photograph was. Well, I know.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 97A.
139 CONTINUED: 139
(CONTINUED)
Hermione holds up the book in her lap: The Life and Lies
of Albus Dumbledore.
HERMIONE
It was in Bathilda’s sitting room.
Rita Skeeter had sent it to her.
Harry, it doesn’t make for very
nice reading --
HARRY
Who is he, Hermione? The thief?
Did Dumbledore know him?
HERMIONE
Yes.
HARRY
Well?
HERMIONE
For a time.
HARRY
Tell me, Hermione. Who is he?
HERMIONE
Gellert Grindelwald. He’s not
very well known in Britain, but
there was a time, before You-Know-
Who...
HARRY
Hermione, I don’t need to have
read A History of Magic to know
who Gellert Grindelwald is.
Hermione nods, hands him the book, open to a PHOTOGRAPH
of a TEENAGED DUMBLEDORE laughing with another BOY
(GELLERT GRINDELWALD). The caption: “For the Greater
Good? Dark Days; Dumbledore and Grindelwald.” On the
opposite page is a PHOTOGRAPH of Grindelwald in later
days, clad in black, holding a JAGGED WAND -- no longer
the carefree lad of youth.
HERMIONE
When Grindelwald was seventeen, he
was expelled from Durmstrang.
He’d started doing some twisted
things at school -- experiments.
A few teachers had always
protected him, but they couldn’t
anymore. After he left, he
traveled for awhile, then ended up
in Godric’s Hollow where his great
aunt lived, Bathilda Bagshot.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 98.
139 CONTINUED: (2) 139
(CONTINUED)
HARRY
Get to the hard part, Hermione.
HERMIONE
She introduced him to Dumbledore.
It made sense. Dumbledore’s
mother had just died, Grindelwald
was troubled and they were both
brilliant -- they’d never really
had anyone they could talk to on
the same level. They did a lot of
talking that summer. But they
always returned to one particular
subject.
Harry looks up.
HERMIONE
Wizard rule over Muggles.
HARRY
And Dumbledore believed in it?
HERMIONE
Yes.
Harry nods, looking at the photograph again.
HARRY
‘For the Greater Good.’ What does
that mean?
HERMIONE
It was something Dumbledore came
up with. He believed wizards were
superior and should rule over
Muggles, but gently, for their own
good. Grindelwald took a more
violent position.
Harry shakes his head, staring at the book.
HERMIONE
It was a different time, Harry.
It was one summer. Dumbledore was
young --
HARRY
We’re young, Hermione. And here
we are, risking our lives to fight
against the very thing Dumbledore
supported.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 99.
139 CONTINUED: (3) 139
(CONTINUED)
HERMIONE
He changed, Harry. Years later,
it was Dumbledore who put
Grindelwald in prison.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 99A.
139 CONTINUED: (4) 139
(CONTINUED)
Harry stares at the photograph of the laughing thief one
last moment, then tosses the book away.
Harry scoops up the locket and examines it. Riddle’s
eyes are gone, the silk lining stained and faintly
smoking. Ron lets the sword fall to the ground, drops to
his knees. Harry steps forward and -- carefully --
places a hand upon his shoulder.
HARRY
After you left, she cried for a
week. She’s like my sister.
RON
I’m sorry. I’m sorry I left.
HARRY
You’ve sort of made up for it
tonight. Getting the sword.
Finishing off the Horcrux.
RON
Saving your life.
HARRY
That too.
They both stare at the remains of the locket.
RON
And just think of it. Only three
to go.
144
Here's other lines when Ron returns
RON
No, of course not. I only
destroyed a bloody freaking
Horcrux! Why would that change
anything! Do you know what it was
like for me to hear those words
coming from you! To see you doing
those things --
Ron stops.
HERMIONE
See me doing what things?
Ron blinks, mortified. Hermione turns to Harry.
HERMIONE
What happened out there?
HARRY
(at a loss, then)
It’s a long story.
(lost in thought)
Which one would you choose if you
could? Of the Deathly Hallows?
HERMIONE
It’s obvious, isn’t it?
All three speak at once:
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 119.
153 CONTINUED: 153
(CONTINUED)
RON
The Wand.
HERMIONE
The Cloak.
HARRY
The Stone.
They glance at each other, amused.
RON
You’re supposed to say the Cloak,
but who wants to spend all day
being invisible. Dead boring if
you ask me. But an unbeatable
wand!
HERMIONE
Its owner grew drunk with power
and was murdered.
RON
Yeah, but imagine what a short
wicked life you’d lead.
HERMIONE
(rolling her eyes)
Why the Stone, Harry?
HARRY
Well, you could bring people back,
couldn’t you? Mad-Eye.
Dumbledore. Sirius. Anybody.
HERMIONE
(gentle
But according to the story they
don’t want to come back. It’s all
rubbish anyway. There’s no such
thing as the Deathly Hallows.
HARRY
But I have one. The Invisibility
Cloak my father left me.
HERMIONE
There have always been Cloaks --
RON
Not like Harry’s. I’ve seen a
fair few. Dad used to bring home
the ones the Ministry confiscated
from petty thieves and the like.
They always got holes or tears.
Harry’s is different. It’s
perfect.
HARRY POTTER AND THE DEATHLY... - PT. 1 - Rev. 6/11/10 120.
153 CONTINUED: (2) 153
(CONTINUED)
HARRY
And I think I’ve actually held the
Resurrection Stone in my hands,
that night in Dumbledore’s office
when he showed me the ring he’d
destroyed, the Horcrux. It had a
symbol on it. Now I think it was
the mark of the Hallows.
The trio stand silently when Lovegood returns
Nearby, Tonks, hand to her belly, leans forward and
WHISPERS something to Mrs. Weasley, who reacts with happy
surprise. Harry studies Tonks’ belly...
LUPIN (O.S.)
We want you to be the godfather.
Harry turns, sees Lupin standing behind, staring at Tonks
with affection. As his eyes shift to Harry, Harry
sputters:
HARRY
You mean -- But that’s brilliant --
I... don’t know what to say.
LUPIN
Say yes.
Lupin grins, claps Harry on the shoulder and hikes off
into the darkness, joining the WIZARDS STANDING GUARD in
the garden’s deepest shadows. Harry looks back to Tonks,
then notices a slight, TUFTY-HAIRED WIZARD (ELPHIAS DOGE)
sitting alone at a table just beyond her.
Why did they not have this in the movie..
Hope they have it in Part 2 somewhere and not just deleted this whole subplot.
Everything that wasn't in the movie, won't be reintroduced in Part 2 just because it wasn't in Part 1. The scripts were written with the other one in mind, not with the editing-proces.
HARRY
Jesus. It was there too.
Harry Saying Jesus??????can anyone explain me this?
The most notable differences are definitely the inclusion of exposition that ended up being cut from this film that we've all assumed would be in Part 2. I do find it annoying that they cut bits that would've made certain aspects of DH1 make more sense (the taboo and Hermione wiping her parents' memories). Also the amount of exposition they cut in Part 1 makes me feel like the beginning of Part 2 will be overload on it.